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#Cillian murphy 28 days later full
Read full reviewĭanny Boyle has really put out some great movies.
#Cillian murphy 28 days later movie
The DVD contained three alternative endings, but the one downbeat ending would be a more fitting finale.īy the way, I take back the comment about “Dawn of the Dead” which is still the greatest zombie movie ever made. It somehow breaks the flow of the film because we knew from the moment that Jim wakes up that he wouldn’t survive more than a month. I think the weakest entity of “28 Days Later” was the theatrical ending. And finally the digital video cinematography from Anthony Dod Mantle coats the film with natural lighting and rich shadows. Second, John Murphy’s tension-filled soundtrack is epic from viewing the first fifteen minutes of the movie. However, Christopher Eccleston commands the screen with his role as the way-over-his-head Major Henry West. First, the performances from unknowns Murphy and Harris are not only good but better than good. As Jim tries to escape “the infected” he locates a group of survivors-Selena (Naomie Harris), Hannah (Megan Burns) and Frank (Brendan Gleeson)-and they join forces to flee for the English countryside.Įschewing the Hollywood confines that Boyle adapted for his last two films, “28 Days Later” was the movie that reestablished his bankability and reputation. These are the viciously vile, fast-moving, bloodthirsty undead that makes Tom Savini’s zombies from “Dawn of the Dead” look pale in comparison. But, upon entering a church that is plagued with dead bodies, Jim learns that he is not alone-the zombies are still alive. He roams the unoccupied streets sensing as if he’s confined in a constant delirium. When a lethal “rage virus” has swept through the British Isles, bicycle messenger Jim (Cillian Murphy) awakes to a London that has been emptied and is now entirely unmoving. Boyle combines atmospheric thrills with emotional subtexts to convince us that this was not some ordinary zombie movie at all.
Before “The Walking Dead” conquered our plasma screens, Danny Boyle’s post-apocalyptic thriller was the first film to take the zombie sub-genre to a whole another level.
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